Sunday
14Mar2010

Where Was I? - Reviews from the web

 

From Fringe Benefits

With an eclectic story-filled monologue, Dickins presents himself in front of the audience at the Arcade Lane space with a warts-and-all tale of running to where he belongs. Over the course of the night, and assisted by his pianist Jennifer Kingwell, he sings and talks us through his journey from an unhappy place through to all the places he felt he might find what he was looking for.

Dickens has a great voice for this type of show. Clear, smooth and conveying much meaning, he adds personal touches to a range of diverse songs, from the classic “Cheek to Cheek” by Irving Berlin through to an amusing pop version of Nine Inch Nails’ “Hurt”. 

Read the rest of the review by Kosta Jaric here.

 

From Talk Fringe 

Read the audience’s comments here.

 

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Sunday
14Mar2010

When the Sex is Gone - Reviews from the web

 

 

From Glam Adelaide 

Tommy Bradson has written and performs a dark, alluring comical cabaret that explores the sleazy, erotic lives of an hermaphrodite living a dual life as stripper Charlie Martini and boxer Alastair Astaire.

Accompanied by quirky keyboardist and vocalist Boris (the exceptional Jacqueline Morton who also composed the songs), they have created a fascinating adults-only comedy that pushes more than a few boundaries.

Bradson is simply superb. He has an extraordinary voice, is an exceptional actor, and looks good as both a babe and a bruiser. He responds confidently with adlibs to his environment and audience, and manages to be both engaging and dangerous at the same time.

Read the rest of the review by Rod Lewis here.

 

From Adelaide Theatre Guide

“When the Sex is Gone” is styled “a theatrical portrait of eroticism”. What is fails to add is that it is one of the most confronting, absorbing, original, very funny, very wicked, very clever, very dark, sexual seventy minutes you are ever likely to spend anywhere! Here read “The Spare Room, Garden of Unearthly Delights”. 

Tommy Bradson has written this and his performance as a hermaphroditic Drag Queen never misses a beat or an opportunity. This boy is always in control and the audience laughs, hoots, gasps and applauds throughout the performance, including this reviewer who confesses he’s not a fan of ubiquitous drag. 

Read the rest of the review by Richard Flynn here.

 

From Adelaide Now

With a backup pianist-come-singer and a practically packed house, Tommy Bradson blew his audience away with his versatile vocals, original forlorn songs and story-telling eyes.

Read the rest of the review by Hannah Silverman here.

 

From Talk Fringe 

Read the audience’s comments here.

 

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Saturday
13Mar2010

Adelaide Fringe 2010 Cabaret What's On - Sunday 14th March 

 

 

*Price guide: A=Adult C=Concession FB=Fringe Benefits Members, G=Group (6 people or more) CH=Child (12 and under) Family=2 adults and 2 children FP=Full Price MS=Meal and Show

 

A TIVOLI LOVELIE 

Venue: Metropolitan Hotel @ 3.00pm

A $15/C $12/CH $7/FB $14/G $14

 

BERLIN CABARET 

Venue:  The Promethean @ 9.00pm

A $30/C $25

 

BURLESQUE BEAUTIES 

Venue: La Boheme (Upstairs) @ 7.30pm

A $20/C $15

 

LAST OF THE RED HOT MAMAS

Venue: La Boheme @ 5.30pm

A$25/C $20/FB $18/G $20

 

LISETTE & HER FAUX MANOUCHES 

Venue: Maxim’s Wine Bar @ 2.00pm

FP $18/C $14

 

THE LOVE AND THE VOICE 

Venue: Adelaide Town Hall (Meeting Hall) @ 3.00pm

A $15/C $10

 

THREE OLD FARTS AND A COUPLE OF TARTS (IN CABARET) 

Venue: Glenelg Bowling Club @ 2.00pm

All tickets $17

 

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Saturday
13Mar2010

Barb Jungr The Men I Love – The New American Songbook out NOW: Reviews from the web

 

 

The wait is over… Barb Jungr’s latest offering ‘The Men I Love – The New American Songbook is officially out and is getting rave reviews.  That’s hardly surprising, considering the quality of her music, and I recommend anyone who hasn’t experienced her music to order a copy.

Reviews from her successful Café Carlyle season in New York City are coming soon!

 

From BBC

Jungr’s powers of interpretation make such an eclectic selection into a vital, coherent album. She sounds as if she has lived every line of every song. These are not just cover versions. Instead, Jungr and Wallace have taken the songs apart to find out how they work, before remodeling them.

Read the rest of the review by John Eyles here.

 

From The Independent

After the tightly-focused spotlight on the late Nina Simone’s repertoire that was Just Like A Woman, Barb Jungr returns to her wide-ranging selections from The Great American Songbook with The Men I Love…Perhaps the most successful, and revolutionary, interpretation is of Talking Heads’ “Once In A Lifetime”, on which piano, cello, shakuhachi and subtle percussion create an almost oriental mystery reflected in the inquisitive, airy innocence of Jungr’s delivery. (****)

Read the rest of the review by Andy Gill here.

 

From Girl Singers

Turning pop music into classics has been a staple of Ms. Jungr’s work for some time, but never quite as far as she does on this disc.  Ms. Jungr – a master craftsman at interpreting lyrics – puts these songs into another space entirely. The style is powerful and raw, especially on the ballads.  And it’s surprising to me which tracks have been turned into ballads.  You haven’t heard “I’m A Believer” like this before.  Ever… Very highly recommended.

Read the rest of the review by Doug Boynton here.

 

From Propose Music

Jungr’s powers of understand have such an heterogeneous preference in to a vital, awake album. She sounds as if she has lived each line of each song. These have been not only cover versions. Instead, Jungr and Wallace have taken the songs detached to find out how they work, prior to remodeling them.

Read the rest of the review by Dan Berglund here.

 

From Midwest Record

One of the familiar but different kind of records in the vein of Nouvelle Vague, Jungr is clearly that important kind of uptown vocalist you have to pay attention to as she’s got the touch to turn anything into art, in a good way. A new high water mark for sitting down music.

Read the rest of the review by Chris Spector here.

 

To download the album or order the CD, click here.

Barb Jungr’s official website: www.barbjungr.co.uk

Naim Label’s official website: www.naimlabel.com

 

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Friday
12Mar2010

The Adelaide Fringe 2010 Awards shortlist announced

 

 

The shortlist for the Adelaide Fringe 2010 Awards was announced this week.

The six shows selected for the cabaret category are:

 

DIE ROTEN PUNKTE - ROCK!

IN SEARCH OF ATLANTIS

NIKKI AITKEN PRESENTS…

THE WAU WAU SISTERS’ LAST SUPPER

WHEN THE SEX IS GONE

WHERE WAS I?

 

NIKKI AITKEN PRESENTS… was also nominated for Adelaide Festival Centre inSPACE:development Award.

The winner will be announced at the Awards Ceremony on Sunday evening, 14th of March.

To see the rest of the nominees in other categories, click here.

Adelaide Fringe home page: www.adelaidefringe.com.au

 

Who do you think will win? What other cabaret shows do you think should have been nominated? Which act was your favourite?  Tell us in the comment section below.

 

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If you enjoyed this post you might also like these previous entries:

Adelaide Fringe 2010 cabaret reviews

Review: War Tunes Hit The Right Notes

Nikki Aitken Presents…Reviews from the web

Review: Lady Carol Reigns Supreme Again

Review: Red Hot And Sizzling Mama Brings The House Down

Sex And Songs. What More Could You Ask For?

 

Adelaide Fringe 2010 cabaret interviews

Hans - The Warwick Capper Of Cabaret

Women - is your orgasm all in HIS mind?

Everybody’s Got Something to Hide (Except for Melissa, Mark and Libby)

Chillie Nights

Ali McGregor on James Morrison and Jazz Cigarettes

Life Upon the Wicked Stage

Coles Girls Exposed

Isabel Hertaeg - Dangerous Dinner Party Guest

Shakespeare on Love 

Lady Carol - All Alone, Together